SCAM-a-lam-a-ding-dong!

Like with any industry/business, the entertainment one has it's share of scammers. We usually associate scammers and Hollywood with lurid fantasies about the casting couch and sweet, young gullible wannabe starlets. That may still happen here and there, however there are other more insidious scammers who readily take advantage of the wild wild west known as the internet.

It takes a judicious red flag system to know when you are falling into not an acting job but a scammer job. While some are obvious, like the "agents" who promise you jobs, yet in reality want your $500, because, this is something a real agent does not do. Craigslist can also be a breeding ground for scammers although I've actually found some work through it. It's the red flags like asking you for money upfront, wanting you to send them personal information before an audition, or asking for headshots...or maybe just a little bit more!

The few times I've been on the road to scamtown I've been able to avoid any loss of money or pride by looking out for those red flags. Even though Craigslist may be easy to pick on, if you are applying for auditions through a legitimate clearing house, scammers are lurking there, too. Let me tell you a story how I almost got scammed. I was using one of my audition clearing house sites and came across something interesting to apply for an audition. It was a one day commercial shoot at the beach and the pay was a flat buyout of $300. I sent a request and within the hour got a reply e-mail (not that unusual because the shoot date was only a few days off) which asked for a slightly red flag request. Could I send a photo of me wearing a towel as if I was at the beach? I thought "why not, no skin off my back" (so to speak) and I knew I could come up with a funny photo. Here it is:

I figured if they weren't scared off by this photo, they'd laugh and schedule me an audition. Well, they did respond a couple of hours later via e-mail waving a red flag that (one would hope) even the wannabe starlet would see. They wanted yet another photo, but this time they wanted me in a swimsuit, as they put it, "fully aroused". After I had myself a laurel and...hearty laugh, I sent them off an e-mail sans any photo attached. "Are you really that hard up you'd want to see a middle aged guy wearing a swimsuit with a hard on?"

I never received another e-mail from them.
 

Adapt Or Die

(photo credit: E. L. Nagode)

So, you have a gig and have a few days to work on a character. Then, you show up on set and the director doesn't like the character you've spent so much time and energy to develop. What do you do? Simple. You adapt or die.

The piece you are a part of is the director's baby, and, as often is the case in the world of short films, the director is also the writer and/or producer. So what if the character you've developed is rejected, adapt it to what the director wants. Use your skills and (hopefully) experience to achieve what is being asked of you and not only will the director be happy, but you will be, too. That character that was rejected is still there and more than likely can be put to use on another project. Or even pieces of the character.

I know it seems cliched, but thinking about rejected characters in these terms is all part of the positive attitude you need to have in order keep most, if not all, of your sanity in the insane world known as show business. I know what happens if you cannot adapt enough: you don't get called back. I recently went in for an audition with the most delicious Southern accent of all time. After greeting the director, he promptly informed me that he decided he didn't want the character to have an accent after all. I did the scene but was very uncomfortable, unwilling to fully adapt, and consequently didn't get a call back. But, it was a valuable reminder that you must be ready for anything, that you must adapt or die. Metaphorically, of course.

This Is The City; Los Angeles, California

("This is the city...")

My friend and I arrived in Los Angeles driving a pickup and a U-Haul truck, respectively, nearly eight weeks ago. After a few days of recovery from the three day trip from Portland, I began to get audition calls almost immediately.

Don't let anyone fool you, it is a lot of hard work just to get an audition. You have to submit first, no wait, you have to get your stuff together first: your photos, your resume, your contacts and your internet! Then you submit, submit and submit again! Once you get that audition, of course, be ready to go. Have fun fer cryin' out loud. I have had more than 15 auditions in the last 6 weeks after submitting to over 110 productions. That's a pretty good average they tell me. The 15th audition got me my first call-back. The next step in the process is to book that job! Then, work your ass off in the joyous spirit and then, in the words of Humphrey Bogart, "...work breeds work".

More to come...